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Book Review: A Rat’s Tale

May 2, 2010
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Readers should not be put off by the title, for this is a splendid novel, interesting in the risks it takes, in its ambition and scope—a book that deserves to be savored and discussed. Rat by Fernanda Eberstadt, Knopf, 304 pages, $25.95 Reviewed by Roberta Silman They have always been with us, those “casual offspring,”…

Classical Music Review: ‘Idomeneo’

April 26, 2010
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Mozart wrote some wonderful music in Idomeneo for his wind players, who were up to the task under the capable baton of David Angus. Reviewed By Caldwell Titcomb Turning out an enormous amount of music in a host of genres during his short life (1756–91), Mozart felt that opera was his most important task. It…

Culture Vulture: Dead Elvis Lives

April 26, 2010
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The Chamber Orchestra of Boston’s final concert of the season reaffirmed the city’s high level of musicianship. Reviewed By Helen Epstein Although it is a popular and engaging staple of the concert hall, the fully staged version of Igor Stravinsky’s L’Histoire du soldat or The Soldier’s Tale is one of the least performed in the…

Theater Review: Televising The Habit of Art

April 26, 2010
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But in my arms until the break of day/ Let the living creature lie,/ Mortal, guilty, but to me/ The entirely beautiful. – W. H. Auden, Lullaby The Habit of Art by Alan Bennett. Directed by Nicholas Hytner. The National Theatre production presented by NTLive at the Coolidge Corner Cinema, Boston, MA, on April 22…

Classical Music: Dudamel Comes to Town

April 17, 2010
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Leonard Bernstein was the most charismatic conductor of the last century, and Gustavo Dudamel is the most charismatic one of this century. By Caldwell Titcomb I provided a lengthy update on the phenomenal conductor Gustavo Dudamel here in December. But now there is important fresh news about him. He actually came to town this weekend…

Visual Arts: The Transparent Connoisseur 2

April 17, 2010
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The issues might seem highly technical and of interest only to specialists, but I think they do matter. In the first place they matter as a corrective to our understanding of Rembrandt, but they also matter for the critical insights they offer into the techniques and practices of scholarship. By Gary Schwartz Earlier columns were…

World Books April Update

April 17, 2010
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By Bill Marx I have neglected to point out the recent postings at my other gig, the online feature World Books at BBC/PRI’s The World. I just completed my April podcast, a departure for the series because I focus on a classic American author rather than a writer in translation. But this April 21st marks…

Classical Music Review: St. Lawrence String Quartet

April 13, 2010
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Reviewed By Caldwell Titcomb Now celebrating its 20th anniversary, the St. Lawrence String Quartet (SLSQ) came to town for an April 9 Jordan Hall concert under the sponsorship of the Celebrity Series. Geoff Nuttall (violin) and Lesley Robertson (viola) are founding members, while Christopher Constanza (cello) joined in 2004 and Scott St. John (violin) in…

Theater Review: A Listenable ‘Opus’

April 10, 2010
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“Musicians take all the liberties they can.” — Ludwig Von Beethoven Opus by Michael Hollinger. Directed by Jim Petosa. Staged by the New Repertory Theatre at the Arsenal Center for the Arts, Watertown, MA, through April 17. Reviewed by Bill Marx In Opus, dramatist Michael Hollinger belies Beethoven’s frustrated observation about the free-wheeling nature of…

The Judicial Review — What Is It?

April 5, 2010
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There is now an eighth Judicial Review, with the panel deliberating on the Boston University College of Fine Arts production of the 1990 Stephen Sondheim/John Weidman musical “Assassins,” which looks at the lives and sensibilities of men and women who attempted (successfully or otherwise) to kill the President of the United States. Below: background on…

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