Dance
Boston Dance Theater’s four pieces seemed to counter female stereotypes but raised limited alternatives.
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John Heginbotham may be making modern dance but he gives us the gift of classicism: discovery within form.
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One thing I liked so much about this show, besides the mental and physical challenges, was its use of really simple and mundane materials.
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Places Please! looks at the backstage life and trauma of performers.
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Now, we’re told, Trajal Harrell has been researching Butoh dance and hoochy coochy dance, hooking them up with the precursors of modern dance and slathering on generous amounts of gender theory.
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“The work is now stronger having successfully balanced both the needs of the visual choreography and the sound.”
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Jerome Robbins makes me think about how nonverbal characters can inhabit their times.
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Choreographer Paul Taylor leaves a repertory that sprawled from the outrageous to the sublime.
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Nicholas Van Young supplied an astounding display of virtuosity that seemed to amaze even the dancer himself.
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An elegy to youth and the transgressions of reckless behaviors, Them celebrates sex as a wild and raw imperative.
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