Dance
Now, we’re told, Trajal Harrell has been researching Butoh dance and hoochy coochy dance, hooking them up with the precursors of modern dance and slathering on generous amounts of gender theory.
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“The work is now stronger having successfully balanced both the needs of the visual choreography and the sound.”
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Jerome Robbins makes me think about how nonverbal characters can inhabit their times.
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Choreographer Paul Taylor leaves a repertory that sprawled from the outrageous to the sublime.
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Nicholas Van Young supplied an astounding display of virtuosity that seemed to amaze even the dancer himself.
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An elegy to youth and the transgressions of reckless behaviors, Them celebrates sex as a wild and raw imperative.
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Pepperland serves up the expected tie-dye nostalgia, keyed to a half-dozen Beatle tunes from the classic album.
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Could it be that choreographer Wayne McGregor choked in the face of the Rite of Spring challenge?
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La Sylphide is full of magic. It might be about magic.
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Going beyond the reasonable concept, there was the New York Theatre Ballet’s performance.
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