Commentary
Local music venues — especially those with “off” music like jazz — are caught in a vice, with real estate escalation on one side and corporate-dominated digital technology on the other.
The strategic silences in the Boston Globe’s piece on the legacy of Israel Horovitz are disturbing.
Chappaquiddick may satisfy some for whom Ted Kennedy was overdue for a comeuppance.
Those who stopped at the top of the Boston Common, at about 1 p.m., witnessed an extraordinary work of performance art.
If the New York Times can’t make a reasonable case for the need for discrimination rather than salesmanship, we are in real trouble.
The BSO seems to have taken to heart complaints about its lack of programming diversity, devoting two full programs to underrepresented groups.
To my surprise, the auto union was written out of the picture from the start, as if dramatist Dominique Morisseau saw it as an embarrassment.
Kalinnikov’s First Symphony is one of those neglected works well worth beating a drum for.
Charles Ives continues to stand, after 140-plus years, as the ultimate American Composer.
Visual Arts Commentary: Hugh Ferriss — Architectural Delineator of the Heroic Modern
A visionary ‘Paper Architect’ who influenced popular culture as well as a generation of architects.
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