Commentary
In no way was the recognition that Ira Sullivan received commensurate with his skill.
Read MoreAre our theaters indifferent, craven, or complicit? Take your pick.
Read MoreThe shared baseline of these conversations is that there are no good old days to go back to. If the cultural sector in the United States returns to the ways things were organized in February, 2020, with all the inequity and unsustainability that implies, we will have failed.
Read MoreOf all the musicians who were harbingers of change, none has had the long-term influence on young musicians that John Coltrane has had.
Read MoreThis is what I feel can add: the perspective of a native-born son of the Rochester metro; and a view from the bridge through jazz-colored glasses.
Read MoreRoy C may not have lived to see the current regime toppled or his litigation over past royalties resolved to his satisfaction, but he died knowing that he was — without a doubt — a Black American original.
Read MoreIn a time when everyday seems like Wednesday, creative use of new media is a visual and experiential bridge to our new and hopefully innovative normal.
Read MoreAs anyone who is familiar with “Toots” Hibbert’s near sixty-year career could testify, he was an artist who wrote songs that were guaranteed to transcend the contexts of their particular place and moment.
Read MoreTo be killed — as in murdered — by police you don’t necessarily have to be a person of color.
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Poetry Remembrance: John Keats, “The Eve of St. Agnes” — Forever Young at 200
Keats is comfortable in that ambiguous space between reality and the imagination, and you will find no finer example of Romantic poetry when he fuses them in the language of an erotic dream.
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