Books
Our awareness of our delight in the homicidal temptations presented by film is itself a kind of twisted comedy that the critic is all too aware of.
There’s a larger story to tell about black composers and musicians breaking into the film and TV business, but its only lightly touched on here.
A pair of recent books help keep the glorious spirit of Carnival alive.
Long live Fluxus, with its questionable boxes of ephemera, its baggy bags of soil, and its mad prankster sensibility.
Humankind, at the very least, compels us to rethink fashionably pessimistic assumptions about human nature.
I heartily recommend M.M. Blume’s excellent Fallout, which ably synthesizes large amounts of archival, historical, and biographical material from three continents.
The stories in And Go Like This are wise, compassionate, and deftly crafted.
Author Ethan Mordden serves up plenty of entertaining yarns, sometimes as exaggerated as the genre to which they pay homage.
Some of the most insightful and moving parts of the biography are Neeli Cherkovski’s personal recounting of his on-again off again relationship with Charles Bukowski.
In his book, Wolfram Eilenberger has provided an absorbing view of a period in Western intellectual history that was committed to the new.
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