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One might risk hyperbole by saying so, but in this instance such recklessness is worth it: this album sounds like Brahms as he ought to be played and sung.
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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
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Producer Ted Olson is on a mission in We Shall Be Reunited to do justice to the past; he imagines a beautiful alternative to the current ballyhooed origin story of country music.
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The voice in Field Music is disciplined, its cagey earthiness unfailingly engaging our attention.
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This recording displays a mastery of the techniques of the jazz vocal group genre.
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Not since Jimi Hendrix had there been such a game-changer for the electric six-string.
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The art of Blane De St. Croix comes at the viewer via a multivalent attack on the staggering challenges posed by irreparable climate change.
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This debut film from Romola Garai is to be commended on all levels: its technical proficiency, its aesthetic beauty, its affecting and unusual story, and its stand out performances.
Read More“Black is beautiful. Black isn’t power. Knowledge is power. You can be black as a crow or white as snow but if you don’t know and you ain’t got no dough, you can’t go and that’s for sho’. — Bookstore owner Lewis H. Michaux from Black Power Mixtape Once the Black Lives Matter demonstrations began, lists of…
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Film Interview: Bertrand Tavernier (1941-2021) Talks About – What Else? – French Cinema
We mourn the loss of an affable generous man, a bridge to a vast history, who also knew and loved American culture.
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