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This death trip romance is powerful, weird, and intoxicating — until its final scenes.
SHUFFLE Concert has invented their own distinctive rules to performance, and their innovative approach, with its inspired programming, has been a hit.
“Tomorrow Night” is firmly in the makes-you-cringe vein of comedy of which “Louie” and “Curb Your Enthusiasm” would become exemplars.
“If, as a reader, you’re expecting the standard rap on meat, then, well, you’re in for an unexpected history.”
Circus Oz is not a reinvention of the big top, a la Cirque du Soleil. It is more of a traditional circus updated for modern times.
Arts Fuse critics select the best in music, dance, film, and theater that’s coming up this week.
French writer Philippe Jaccottet’s ever-questioning poetic analyses of haunting ephemeral perceptions are carried on with such scruple and sincerity that, for his European peers, he has become the model of literary integrity.
If George Clooney can rev up our righteous indignation decrying the barbarities of Joe McCarthy, why on earth couldn’t he become eloquent when it comes to talking about fighting to keep Hitler’s mitts off Michelangelo?
As fiction, “Trieste” is almost entirely a dense tapestry of thinking, remembering, agonizing and raging.
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