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Over the past five years of Breaking Bad, the chemistry of fate has run its course.
Curator Jorge Antonio Fernández succeeds, for the most part, in creating a stimulating show that is held together by formal and conceptual associations, not just political concerns.
Hunger is hunger but each hungry person experiences it in his or her own way. That insight is at the heart of the remarkable, socially engaged toy theater production Who’s Hungry.
Overall, VII finds Blitzen Trapper maintaining its musical muscle even though its lyricist occasionally struggles.
If Thursday’s performance of Mahler’s Second Symphony by the Boston Symphony Orchestra and the Tanglewood Festival Chorus was marked by some untidiness, the broad picture to emerge was one of often thrilling, Apollonian grandeur.
Arts Fuse critics select the best in music, dance, and film that’s coming up this week.
Director-writer Alexandre Moors, a Parisian living in New York City, builds a credible narrative story of the killer team in the months before their death spree.
“Return to form” is a little too easy, but if you miss the “old” Travis, then the new album, Where You Stand, is the one you’ve been waiting for.
Arts Commentary: To Stay or Not to Stay? Copley Place’s fountain faces an uphill battle
Today, the fountain at Copley Place feels embarrassing in some way; not its form or execution, but its very existence.
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