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“The Missing Year of Juan Salvatierra” is a compelling celebration of art as a force of nature, a fragile yet indomitable demand for possibility despite the constraints of a torpid existence.
But Mr. Ho’s Brian O’Neill had another idea. What if he took the very inauthenticity of the original music as a motive for putting together things that were never meant to go together originally? Like Bach’s Toccata and Fugue with a Balkan beat?
This attractive, inexpensive box set dedicated to Claudio Abbado contains a rich gathering of lucid, colorful recordings, among the most accomplished modern performances of symphonies that are absolutely central to the repertoire.
It’s a pity Witold Lutoslawski’s music isn’t turning up on more orchestral programs in the U.S. this season and next – Benjamin Britten seems to be the centennial birthday boy of choice.
Director Refn’s craftsmanship isn’t in doubt here, just whether this deadening story was worth all the effort.
This production of “Pygmalion” is also a case study in how an accomplished director –- former Huntington Theatre Company director Nicholas Martin – weaves every part of his team into a seamless whole.
The Williamstown Theatre Festival production of G.B. Shaw’s 100-year-old classic, “Pygmalion” – which only plays nine more performances – delivers an evening of superb theater on all levels.
Miss Tess and the Talkbacks — the group will be at MA’s Green River Festival on Saturday. Catch them if you can.
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