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Pianist Murray Perahia’s return this weekend, with Schumann’s A minor Concerto, seemed tailor-made on paper: he’s one of the world’s great chamber musicians and this concerto plays to all his strengths.
Not surprisingly, nearly half of the band’s 20-song set Thursday night was made up of “AM” songs. Despite the quality of the quartet’s first four albums, nobody seemed to mind.
Most everyone has heard the faux-scandalous name. What has not been heard enough is that Pussy Riot are the purest and most potent expression of the punk-rock ethos ever.
Pianist Benjamin Hochman is a musician who’s interested in insightful programs that can be provocative, speak across centuries, and engage the mind as much as they delight it.
Adding a female voice to an established funk/roots band can be tricky — but it took about half a song for Maggie Koerner to win over the crowd on Friday.
I get why Compagnie Käfig’s Correria/Agwa has been booked onto stages in 15 countries and counting. But the troupe’s polished athleticism comes at the sacrifice of hip hop dance’s precious anarchy.
Both of these exhibitions challenge our very notions of time and identity and the social structures around us.
Dancer Wendy Whelan will not be appearing under the auspices of the Celebrity Series of Boston as planned.
Arts Fuse critics select the best in music, dance, film, and theater that’s coming up this week.
On Sunday, the Boston Symphony Chamber Players celebrates its 50th birthday with a typically brilliant program, one that features four world premieres.
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