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The pleasures of Joni Mitchell: In Her Own Words are the pleasures of being a fly on the wall.
Arts Fuse critics select the best in music, film, theater, author readings, and dance that’s coming up in the next week.
We intend to stage work by all the living American poets we can lure into our sphere: starting right here in Cambridge.
No No: A Dockumentary presents a textured portrait, on and off the field, of ’70s pitching phenomenon Dock Ellis.
“Magic” reflects the Mendes touch—more than 50 years of expert piano, arranging, and production chops, and a genius for choosing the right collaborators.
Privy Portrait portrays a contemporary human being who has lost all handholds, all footholds, all practical, moral, and metaphysical support—except for that provided by the articles of his beloved encyclopedia.
Today’s increasingly corporate-approved theater stays within safe, civic-minded boundaries.
Although the production of The Last Days of Cleopatra is at times a bit hard to follow, patient audience members will be rewarded by a profound dramatic payoff.
A Short Walk with Patsy Cline leaves you wanting more. It will send you — back or for the first time — to Cline’s own recordings.
It would be a great pity if the MWFF, with its luminous history, was put out to pasture.
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