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David Ireland’s use of coded sectarian language helps him paint a vivid picture of the Belfast his characters call home.
It is hard to figure out just what playwright Winnie Holzman is up to in Choice: is this a supernatural sit-com?
Jafar Panahi’s Taxi is a winning, happy, unhappy, humane little road movie.
What seems to animate many of the fairy tales is a heady freedom from the constraints of realism.
“This is JETHRO TULL!, expressed proudly in bold terms. And then ‘the rock opera,’ said in an embarrassed whisper.”
This is a strong exhibit that succeeds in conveying a sense of what it was like to live during the 1920s in this exciting capital.
Death By Water plumbs the depths of the human condition in an entirely original way.
With the galvanic addition of Joshua Redman, The Bad Plus is now made up of four intense virtuosos.
I missed the trademark orange Dynel wigs and the zany non sequiturs of the past, but Karen Krolak and the crew were still playing with fractured language.
Steve Jobs is a one-dimensional film about a terminally self-absorbed character.
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