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A bewitching South African version of Bizet’s opera — performed with a distinctive blend of spunk and sass.
Hub Theatre Company’s production is artfully staged in a challenging, three-quarter round space.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
Each of the ten or so music-less sections showed us a different way of composing movement.
Postmodern Jukebox dials the clock back on contemporary pop.
Two films in the Boston Jewish Film Festival: one sticks to the commonplace, the other looks at the bizarre.
Brooklyn‘s script neatly consolidates the novel’s trials and tribulations without becoming too saccharine.
Alice Rohrwacher’s film, which won the Grand Prix at the 2014 Cannes Film Festival, is a rarity — it is genuinely magical.
I just have to use all my personal musical experience — classical music and jazz and rock and electronic sound — and not worry about where it fits.
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein