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His beautiful sound is undimmed by time, his sensitivity to nuance is intact, and his choice of virtuoso partners was a delight.
Not all of the production’s choices pay off, but Hamnet is a fascinating, one-of-a-kind play that strikes at a universal sense of longing.
If Charlie Harmon’s story jumps around a bit and reads rather like a series of diary entries, it’s at the very least engaging and, for the most part, entertaining.
While Beth Genné proffers a terrific take on dance and its social context, she exhibits a shaky grasp of musical-theater history.
We need a satire that takes Trump’s radical threat more seriously than Vicuña.
All of Shirkers demonstrates the wonderfulness of making cinema. I Am Not a Witch dramatizes the mystery and solidarity of accused witches.
Stephen Adly Guirgis has written a fine play about those who would blur their minds rather than admit just how tired they are.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Deborah Eisenberg’s stories pull you in and imitate life in an uncanny way.
Straight White Men features plenty of conflict, but most of this wrangling comes in the form of tiresome, repetitive familial bickering.
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