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Throughout these bold solo performances, pianist Chick Corea exudes confidence.
Two new picture books offer a refreshing use of not-so-typical endings.
It’s pretty interesting that we live in a moment in which our comic-book obsessed culture is creating a number of antagonists based on the premise of, “Hey, what if Superman were emotionally stunted and really evil?”
Annapurna Sriram’s “Fucktoys” is poised for cult greatness among queer cinephiles, filthy femmes, and those of us who find today’s movie landscape frighteningly sex averse.
Bruno Dumont has always been a divisive filmmaker, drawn to provocation, and the wacky sci-fi parody of the comedy-drama “The Empire” has proven to be no exception.
At the time of these sessions the musicians themselves were celebrating the relatively recent advent of the long-playing record.
“The Ugly Stepsister” emphasizes how fiercely beauty reigns supreme for women of all ages — especially those in the 1700s.
What we don’t learn in “Josephine Baker’s Secret War” was what she did to steel herself against the risks she was taking. Was it all acting? A belief that her charmed life would never end?
The first thing to note about the 2025 remake of “Bonjour Tristesse” is that it matches the Otto Preminger rendition with its handsome look, its sumptuous color, and the skilled cinematography of Maximilian Pittner.
Film Commentary: AI — Is Hollywood in its Virtual Sights?
Massive layoffs, cheapened content, and misinformation on steroids: AI text-to-video is coming for Hollywood, and it certainly feels like a curtain call.
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