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Derrick Wang’s Scalia/Ginsburg is a three character comic opera that combines elements of Jean-Paul Sartre’s No Exit and Perry Mason.
In all of his books, John Julius Norwich remembered that history is a story.
One of the fears of poets and, I imagine, all writers, is that you’ll reach a certain age and you’ll run out of gas.
To an extent, The Niceties does probe a fault line between the Democratic Party and the left: a boundary that will rupture sooner rather than later.
Time For Romance: But Beautiful may qualify — if I can even use the term now — as seduction music.
This is an opportunity to take in the early stirrings of Tennessee Williams’ talent as a playwright.
For most of its history, jazz has been a macho culture. Sexual ambiguity or gay-ness were subjects of derision.
Ethan Hawke’s goal as an artist is to connect meaningfully with the world — avoiding artifice is essential in terms of his acting, directing, and writing.
His beautiful sound is undimmed by time, his sensitivity to nuance is intact, and his choice of virtuoso partners was a delight.
Book Commentary: Karl Ove Knausgaard’s “Why I Write” — Incomplete Answer
The old questions, good as they are, are going to be augmented with new ones: Are we creating a world worth living in? Are we creating a world we can continue to live in?
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