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Despite the soap opera details, Everybody Knows never becomes implausible.
The generally enjoyable Bedlam production of Pygmalion doesn’t quite settle for the glucose bait.
What makes Portland Stage’s production of Earnest such a delight is its physicality.
“You don’t really know how to perform bluegrass until you interact with others.”
Mark Morris and Ethan Iverson chose songs from the famous album for reflection and extrapolation. What they made is an entertainment, a romp for the company’s terrific dancers.
Shame on you, Academy, for such feeble, uninspired, downer picks.
It’s worth pointing out that Sabahattin Ali has deliberately reversed traditional gender roles in Madonna in a Fur Coat.
In Garciela Iturbide’s photographs, the living and the dying are often joined at the (exposed) skeletal hip.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Television Commentary: “The Sopranos” 20 Years Later — American Viciousness, Legitimized
I find it a little disturbing how The Soprano’s themes seem to have culminated in the election of our current President.
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