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This musical hodgepodge at the American Repertory Theater could be called ‘Let’s Sing About Me (and Me, and Then More About Me).’
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This was a truly great performance, one that fully suited the BPO’s season-long, dual commemorations.
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The show tells a story of women through portraits that span a little more than two hundred years.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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These extraordinary books from world-class writers are about reviving, through words, a now-derelict town and the lives of its ten thousand murdered Jews.
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Next summer promises to be a safe one, musically, at Tanglewood.
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William Goldman was known as a consummate Hollywood insider who nevertheless maintained a reputation as a literary-minded purveyor of exceptional cinema.
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Peter Brook has decided to be more than a little stubbornly anti-theatrical in The Prisoner.
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Christopher Hollyday’s Telepathy is a keeper, Chris Pasin’s Ornettiquette is an excellent outing, Jake Ehrenreich’s A Treasury of Jewish Christmas Songs is uneven, and for some long winter nights Abigail Rockwell’s Autumn Noir might be just the ticket.
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John Heginbotham may be making modern dance but he gives us the gift of classicism: discovery within form.
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