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Peter Schjeldahl debunks (and praises) works of art, while also acknowledging the strategic importance of beauty.
Director Howard Hawks’ signature statement was the depiction of the American (or mostly American) male group with a task to accomplish.
The guy who once seemed dangerous and mysterious as frontman for Jane’s Addiction proved earnestly accessible to fans.
Perhaps this review is an autopsy for which I offer an apology.
For all its bite, Fall is oddly endearing, too, leavening its harsh portrait of money-madness with aw-shucks moments of solidarity and kindness.
John DeLorean remains an unwieldy figure whose story is difficult to frame — the new film leaves much unreported and unexplored.
This entertaining opera is a real soap opera, given that it chronicles the fallout of the passionate protagonist’s unrequited love.
The Dead Don’t Die is a satiric trifle, but a cleverly amusing one.
From the Editor’s Desk: We Turn Twelve — The Future of the Arts Fuse
This funding means that The Arts Fuse will be cranking out the kind of arts coverage you have come to expect for a good time to come.
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