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If you enjoy singing and dancing in your theater seat to the sound of good music while learning a bit about American cultural history and its personalities, you will enjoy this show.
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This year’s Montreal Jazz Festival Festival would have been more successful had it not been for all the construction ripping apart the city.
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Despite Dark’s complicated structure, the characters are motivated by utterly realistic desires and emotions, which balance the show’s more abstract elements.
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This world-premiere recording of the 1826 Paris version of Gaspare Spontini’s Olimpie makes a powerful case for a composer much admired in his own day.
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The Rolling Stones were still up there, sounding vital, and that alone delivered satisfaction.
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To see Raisin in the Sun in post-Obama America is to experience how a classic both remains emblematic of its time and changes resonance as time passes.
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A sense of promise remains a hallmark of the Montreal Jazz Festival — always end by looking forward.
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“Porches are loosely defined. Our stages include stoops, yards, and driveways, as well as churches, community centers, affordable housing, and elderly housing.”
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Saturday’s performance made up for a rain delay withthe longest single set since the band’s millennium-greeting Everglades marathon.
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Opening on July 4, at a moment when immigrants and their living conditions are once again in the forefront of the news, Now Circa Then is an inspired choice. Read More
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