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Fest Review: IFFBoston Shorts — Part Four

April 26, 2026
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Part four of a run-down of live-action narrative shorts. As usual for the IFFBoston, the quality is high, with intriguing subject matter and technical polish.

Coming Attractions: April 26 Through May 11 — What Will Light Your Fire

April 26, 2026
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.

Film Festival Reviews: Berlin — A Vampire Returns and a Fascist Invasion Revisited

April 26, 2026
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The Berlin International Film Festival had two major premieres this year — a vampire parade and a war saga in Ethiopia.

Fest Review: IFFBoston Shorts — Part Three

April 25, 2026
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Part three of a run-down of live-action narrative shorts. As usual for the IFFBoston, the quality is high, with intriguing subject matter and technical polish.

Local Author Interview: “Love Is What We Carry” — Andrew Krivak on Storytelling, Memory, and “Mule Boy”

April 25, 2026
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In conversation, Andrew Krivak discusses inherited grief, immigrant roots, and the novel’s unusual form.

Fest Review: IFFBoston Shorts — Part Two

April 24, 2026
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Part two of a run-down of live-action narrative shorts. As usual for the IFFBoston, the quality is high, with intriguing subject matter and technical polish.

Fest Review: IFFBoston Shorts — Part One

April 23, 2026
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Part one of a run-down of live-action narrative shorts. As usual for the IFFBoston, the quality is high, with intriguing subject matter and technical polish.

Weekly Feature: Poetry at The Arts Fuse

April 23, 2026
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This week’s poem: Serena Solin’s from “The Squint”

Theater Review: “Cats: The Jellicle Ball” and “Masquerade” – What a Bold Concept Can and Can’t Do for Andrew Lloyd Webber

April 23, 2026
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Two productions set out to reinvent Andrew Lloyd Webber’s back catalog. Only one of them succeeds.

Film Commentary: “Castration Movie Chapter iii. Junior Ghosts,” “The Serpent’s Skin,” and the New Trans Cinema Moment

April 23, 2026
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If a truly trans cinema canon is to exist, then it must reclaim authorship over how trans people and narratives are represented on screen by giving trans artists the means and opportunity to create a cinema of their own.

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