Posts
Anthony Kaldellis recasts the fall of Constantinople as a long process of attrition, shaped by strategy, fear, and the limits of Western indifference.
This substantial collection of the writings of classical music critic Michael Steinberg evokes a time when critics educated, provoked, and helped build cultural life.
A compelling program of Donald Hass, Florence Price, and Brahms reveals ensemble precision and deeply felt musical dialogue.
Tatiana Maslany anchors a cluttered but compulsively watchable thriller about cam culture, murder, and a very stressed-out mom.
Archival releases document the contrasting styles and shared brilliance of pianist Bill Evans, Ahmad Jamal, Thelonious Monk, and Cecil Taylor on the bandstand.
Jean Trounstine’s debut blends hard-won insight with high drama in a prison story of guilt, resistance, and survival.
Visually beguiling, “Silent Friend” may probe the mysteries of consciousness, but it has little on its mind.
Judith Grohmann’s biography restores a complex cultural force too often reduced to muse and myth.
This week’s poem: Jim Behrle’s “There’s Cake in the Break Room”
Lam Dance Works pairs visiting virtuosity with emerging dancers, revealing both the promise and growing pains of a young Boston troupe.
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