Posts
Liz McQuiston writes that the posters collected in her book are meant to “pay tribute to the liberating concept of hard-won ‘freedom of speech’ throughout history.”
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Among the reviews: a terrific, important release that celebrates one of the most interesting – and hitherto overlooked – composers of the late-19th- and early-20th centuries in style. Don’t miss it.
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There was nothing sleepy or commonplace about the ensemble’s performance of favorites by Mozart, Brahms, and Bartók.
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If Castle Rock is intended to be a commentary on Trump’s not-so-great America, well, what better genre than horror to spread the angst?
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This is a non-union production, and that means the actors are being paid a fraction of what they would be getting if the tour were offering performers a union contract.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Parasite’s powerful vision of the existentially downtrodden offers equal nods to Karl Marx and Fyodor Dostoyevsky.
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“I wrote those poems because I think people need to read the truth and to hear the truth about romantic sensibilities between gay people.”
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Black + White from the Fernanda Ghi Dance Company was provocative, dramatic, and oh-so-mysterious.
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Literary Appreciation: The Late Harold Bloom — Pursuer of “Difficult Pleasures”
“What is the function of literary criticism in a Disinformation Age? Read, reread, describe, evaluate, appreciate: that is the art of literary criticism for the present time.” — Harold Bloom
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