Posts
When I think of Bill Withers I think of just three handclaps. It’s my favorite example in his music, or just about anyone else’s, of the power of restraint — not slamming and flailing about to shift a groove into overdrive.
Read MoreMusicians Aaron Halford and Matty Michna describe their journeys to Boston and ponders their futures beyond The Hub.
Read MoreWhat’s so appealing about Tiger King? Perhaps it is that the lurid goings-on are so distinctively American.
Read MoreBob Dylan’s new song not only articulates the madness that undermines the American experience, but supplies a certain kind of corrective, a tonic, for that kind of insanity.
Read MoreBy so memorably reestablishing the fundamentals of urban design and planning, The Art of Classic Planning will be a strategic addition to any architecture or urban planning library.
Read MoreAn 1829 opera about Elizabeth I and her supposed lover — enlivened by underhanded threats, virtuous resistance, remorse, and an attempted poisoning — proves well worth reviving.
Read MoreHere we have the story of a young Czech woman who could not only take a piece of fabric and shape it into a gorgeous dress, but could also take her experiences during WWII and shape them into a compelling memoir.
Read MoreVivarium offers such a completely well-thought out narrative that it hardly matters whether we are dealing with magic realism or a satirical fable.
Read MoreAndrew Child pictures the candidates riding a skateboard, each in a slightly different pose and dressed in slightly different cool gear.
Read More
Arts Commentary: Pestilence on Stage, Part One — Karel Čapek’s”The White Plague”
The White Plague uses dread to shock us into empathy for ourselves, to be alarmed by the fragility of our bodies as well as the resources and ethics of the medical system.
Read More