Posts
Once celebrated, but now largely forgotten, novelist and short story writer Nelson Algren deserves the attention given to him in a wide-ranging documentary.
Read More
Energizing, joyful, expert, close to sure-fire, Chasing Magic was a great choice to reopen A.R.T. after the long pandemic shutdown.
Read More
Wild Horses is a sort of hybrid of familiar coming-of-age stories: Little Women meets Summer of ’42, with a dollop of Stand By Me tossed in for intrigue.
Read More
The talent at Club Passim’s Nanci Griffith night represented at least two generations: it was a nice, low-key salute to the singer/songwriter, who played the venue often in the mid-’80s.
Read More
A packed, wide-ranging conversation with violinist Anne-Sophie Mutter that touches on several subjects, from a lifelong love of jazz to her verdict on John Williams’ Violin Concerto no. 2.
Read More
Are Boston’s stage critics disengaged from reality? Or is it that they are afraid to speak up?
Read More
Director Anton Fuqua forgoes his usual action milieu with an unrelentingly tense, highly emotional English language remake of Den skyldige.
Read More
Elizabeth Howard talks to Stephen Petronio, choreographer, dancer, and the artistic director of the Stephen Petronio Company, about what plans forward-thinking artists have for the future.
Read More
Cry Macho is little more than nostalgia for the Old West of Hollywood.
Read More
Arts Commentary: It’s OK to Like Board Games, Even the Bad Ones
These cheesy board games were repetitive and horrible and I loved every one of them.
Read More