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The Regattabar, located in the Charles Hotel, re-opened after being shuttered for three years following the Covid epidemic.
“The Half-God of Rainfall” is a challenging journey relayed in a memorable production that will resonate with you for a long time.
The Boston Lyric Opera’s production was a reminder that Puccini’s score is sure to stand the test of time, even when valiant attempts to make the opera’s storyline more palatable fall short.
A charming rendition of Ravel serves as a perfect foil to the rigors of the Schoenberg, which, tough nut though it remains, here gets just the sort of devoted advocacy it requires.
Too often, “Lioness” reads like a digest of Boston tourist guides and historical surveys, at times even seeming to quote them directly.
Joe Strummer is clearly having a ball that night, in fine form: cracking jokes and proudly announcing his bandmates.
This is a Tchaikovsky Fifth that’s thoroughly lived in.
Listening to the superb “El Arte Del Bolero, Volume Two,” I feel that these are two masters who, while recalling their various ancestries, are talking to me.
If you want to see how Earth’s oceans are coping with global warming, what better way than to sail around the world for 15 years — and have a little fun doing it?
The veteran English art-rocker gave a slow-to-develop but brilliant near-three-hour show that tapped stunning visuals while evolving from the cerebral to the celebratory, culminating in a joyous “In Your Eyes.”
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