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Weekly Feature: Poetry at The Arts Fuse

January 11, 2024
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This Week’s Poem: Douglas Rothschild’s “On the EVE of the THREE KINGS”

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Opera Album Review: An Award-Winning Recording of a Spontini Opera Championed by Maria Callas

January 11, 2024
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Latvian soprano Marina Rebeka, under conductor Christophe Rousset, shows why Berlioz and others loved “La Vestale”.

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Concert Review: Concord Chamber Music Society’s “The Music of Memory” — An Unusually Beautiful Program

January 10, 2024
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It was worth driving over 70 miles of snowy roads to be rewarded with such invigorating heat. Bravo tutti.

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Children’s Book Reviews: A Grief Out of Season

January 10, 2024
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The holidays and their aftermath are not always a time of cheer for families. Two recent children’s books provide empathy and understanding.

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Album Review: Lou Reed’s “Hudson River Wind Meditations” — Meditative Loop-De-Loops

January 10, 2024
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It may not be one of ambient music’s masterworks, but this 2007 album deserved far better treatment than utter neglect from Lou Reed fans.

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Book Reviews: The Novels of Argentine Author Claudia Piñeiro — More Than Mysteries

January 8, 2024
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A death is routinely at the center of Claudia Piñeiro’s fiction, but the corpse sparks provocative questions about the way things are, not just an investigation into finding the murderer.

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Film Feature: A Preview of Art House Films Coming in 2024

January 8, 2024
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Here’s a peek at 10 art house films that this critic is looking forward to in the first half of 2024.

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Film Review: “Society of the Snow” — Unspeakable Tragedy, Unstoppable Survival

January 7, 2024
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This is an epic, breathtakingly moving, and unforgettable film about an elemental fight against cold, starvation, and fear.

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Arts Remembrance: Jazz Notables We Lost in 2023

January 7, 2024
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For many years now, the Francis Davis Jazz Poll has collected brief lists of important jazz figures who passed in the previous year.

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Book Review: “Yves Montand: The Passionate Voice” — An Activist Entertainer

January 7, 2024
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Singer/actor Yves Montand’s life and career is particularly fascinating because they illuminate a telling difference between the mid-20th century political-cultural milieus of France and America.

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