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Book Review: “A Grave Robbery” — Adventures of a Kick-Ass Victorian Feminist

March 9, 2024
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As in her previous thrillers, Donna Raybourn’s dry wit serves double duty: defining our erudite heroine and presenting her view of a world that does not know what to make of her.

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WATCH CLOSELY: “Griselda” — Queenpin of a Criminal Empire

March 8, 2024
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Sofia Vergara’s performance as drug queenpin Griselda Blanco, in the limited series “Griselda,” is no less than career-defining and unforgettable.

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Rock Album Review: Kim Gordon’s “The Collective” — Ensnared in Anxieties

March 8, 2024
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The album’s layers of thick and swampy sound make Kim Gordon’s anxious point.

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Opera Album Review: A Resplendent First Recording of a Forgotten Opera by the Composer of “Manon” and “Thaïs”

March 8, 2024
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With Egyptian-born Amina Edris in the title role, Massenet’s opera engages the musical and theatrical imagination with its rich characterizations of Greek mythic adventures.

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Concert and Album Reviews: Boston Philharmonic Youth Orchestra plays Britten, Tchaikovsky, Ives, and Ravel — Isabelle Faust plays Britten

March 7, 2024
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Conductor Benjamin Zander put the Boston Philharmonic Youth Orchestra to challenging work at Symphony Hall, while, on record, Isabelle Faust delivers a vital, urgent, and engrossing traversal of the Britten Violin Concerto.

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Weekly Feature: Poetry at The Arts Fuse

March 7, 2024
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This week’s poem: J.D. Scrimgeour’s “Some Questions for the Chinese Character”

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Concert Review: John Storgårds opens the BSO’s Music of the Midnight Sun Festival

March 6, 2024
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The Finnish conductor’s welcome return to the Boston Symphony Orchestra heralds the kick-off of a two-week festival of Nordic music.

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Theater Review: “John Proctor Is the Villain ” — Critiquing a Classic

March 6, 2024
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The energizing force of this production comes from the students and, more specifically, the cohort of young women in the cast, each of whom is excellent.

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Jazz Album Review: Gustavo Cortiñas’s “Live in Chicago” — The Culmination of a Decade’s Worth of Music

March 6, 2024
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Throughout this superb live album, percussionist Gustavo Cortiñas allows his fellow band members an enormous amount of space, and that is welcome because of their high level of musicianship.

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Book Review: Akshat Rathi’s “Climate Capitalism” — We Have Made Progress

March 6, 2024
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This encouraging book highlights the preponderance of positive developments regarding the efforts, worldwide, to deal with climate change.

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