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Essentially, Kaiser’s plaint about the vanishing critic is useless because he, and so many other cultural kingpins worried about the end of professional criticism, offer no solutions.
Read MoreMore comments on the films in this year’s Boston Jewish Film Festival, including “Dolphin Boy”, an uneven documentary about dolphins and healing, and “Dusk,” one of the finest films in the festival.
Read MoreThis is the third installment of Debra Cash’s coverage of events associated with the Institute of Contemporary Art’s Dance/Draw — this time around its an appreciation of the Trisha Brown Dance Company.
Read MoreMore comments on the movies in this year’s Boston Jewish Film Festival, including “Standing Silent,” a powerful documentary on child abuse in the orthodox Jewish community and an effective adaptation of David Grossman’s novel “The Book of Intimate Grammar.”
Read MoreYou see, Victor knows he is in a theater, telling stories. And he tells us this. His self-awareness as a performer gives him the freedom to be completely honest.
Read MoreThe New Century Chamber Orchestra’s ability to vividly bring to life music of delicate character was on full display in this concert, part of the 152nd Worcester Music Festival.
Read MoreThe second installment in Debra Cash’s coverage of the ICA’s ambitious Dance/Draw series.
Read MoreThe Australian Pink Floyd Show is a tribute band, but not just any tribute band. TAPFS is considered the best tribute band in the world today, a title they have defended since 1988.
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Arts Remembrance: Tribute to Jazz Producer Alex Lemski