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Director Jon M. Chu enlisted songwriter/performer Todrick Hall and choreographers Jamal Sims and Christopher Scott to remix the in-flight safety lecture.
So is the book worth reading? Depends how interested you are in twentieth century cultural history, in music and creative genius, in marriage and sexuality.
The moral urgency and the humane distribution of Adelle Waldman’s authorial sympathy are evident everywhere in “The Love Affair of Nathaniel P.”
In a way, this collection of hip writing, a “literary mixtape,” is the ultimate embodiment of the vision of the Hipster-as-Curator.
BTC’s experiment, while not without its faults, proffers an admirable model of the sort of creative thinking that more companies should emulate when placing Shakespearean drama in a contemporary American context.
Lou Reed has left us, but the truths he took pains to show us about ourselves and our society – much as we try to cover them up – remain.
As those of you who have already heard “Reflektor” no doubt know, the album is fantastic, one of the best of the year for sure, whether the Grammys take notice or not.
Ralph Alessi’s compositions are flexible rather than tightly organized, yet their initial statements are strong enough to dominate even the freest group improvisations that follow.
The slow tempos on the whole didn’t hurt the show. People were there to hear Madeleine Peryoux — her voice and delivery, her offbeat arrangements and particular idiosyncratic take on familiar songs.
Cormac McCarthy’s rambling but brilliant screenplay is given vigorous direction by Ridley Scott, whose elegant visual style captures the tense downward spiral of the film’s doomed characters.
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