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Between the heroin, booze, and all else that Mexico had to offer, there was little to no time for William S. Burroughs to appreciate the culture of his adopted home.
Kneebody threw jazz into the stylistic blender and it popped out as something you probably haven’t heard before. The future sounds good.
Arts Fuse critics select the best in music, dance, and film that’s coming up this week.
Mother Nature likes pianos.
Mary Zimmerman’s Jungle Book may not have the same kind of compelling narrative and emotional depth as her Bernstein/Voltaire tour de force, but there’s plenty of magic in this Disney/Kipling mash-up.
It’s heartening to see a major Catholic institution like Boston College get behind a documentary that, without mercy, attacks the Boston Diocese for its sinful coverup of priest abuse of children.
Oh God meets all of Guy Ben-Aharon’s criteria for Israeli Stage.
Over the past five years of Breaking Bad, the chemistry of fate has run its course.
Curator Jorge Antonio Fernández succeeds, for the most part, in creating a stimulating show that is held together by formal and conceptual associations, not just political concerns.
Hunger is hunger but each hungry person experiences it in his or her own way. That insight is at the heart of the remarkable, socially engaged toy theater production Who’s Hungry.
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