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There is lots to praise (lavishly) in BEMF’s production of “Almira”: a large cast with no weak links, fabulous musicians, and inspired sets, costumes, and dancing.
Despite its drawbacks, “Aleko” is a remarkably satisfying opera and filled with much beautiful music.
Even with its audience-unfriendly head games and confusions, “Post Tenebras Lux” is an imposing spiritual work, and totally original.
While the nostalgic exposition pays dutiful homage to the original story, the gangbuster finish should satisfy the audience’s summer techno-lust.
Dame Emma, now sixty-four, sat and sang just quietly enough and with the right measure of mystery and stillness to draw the audience in, and to keep them there in a trance.
Updated with new theater and classical music recommendations. Arts Fuse critics select some of the most promising in music, theater, and film for the coming week. A new feature!
Live, the band crackled. But it was the front line of the grey-maned Rava and trombonist Gianluca Petrella who ultimately defined the band’s sound. .
Inflating The Hobbit: Goodbye to the Boys-Only Club
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