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Simultaneously storyteller and player, ancient character and modern respondent, Denis O’Hare’s performance of “An Iliad” elicits the kind of respect automatically granted this genre of demanding monologual performance.
Chhandika is dedicated to keeping the intricate and expressive art form of Kathak dance relevant to contemporary audiences, particularly to those who are not familiar with the Ramayana.
Generally in New England we’re outspoken about nearly everything – politics, social issues, sports – so why not the arts?
The best rock biopics, like “24 Hour Party People,” “I’m Not There,” and “The Doors,” aren’t afraid to get a little weird, even if it means throwing verifiable facts to the wind.
Susanne M. Sklar’s study is the best exploration of William Blake’s miraculously bewildering masterpiece that I know of — thoughtful, scholarly, imaginative, and supremely sympathetic to the poet’s ornery complexity as well as his capacity to inspire wonder.
The best parts of this book of interviews come when Charles Mingus or his collaborators talk about the music.
Don’t be late for a very important date when the Coolidge Corner Theatre hosts a Sunday morning, high-def broadcast of the Royal Ballet’s production of Christopher Wheeldon’s celebrated “Alice’s Adventures in Wonderland” on May 5.
To The Wonder — the best American feature by far of 2013: beautiful, compassionate, tragic, transcendent.
Knowledge-burdened Ph.D.’s and passionate young mothers, deep into their problems and their futures. You had to compete to converse.
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