Susan Miron
Those assembled at Boston’s Jordan Hall were thoroughly prepared to be enraptured.
Read MoreI look forward to more collaborations between these two ensembles, who were born to make, as they say, really beautiful music together.
Read MoreAs an aged Ira Aldridge, John Douglas Thompson creates a spellbinding picture of vulnerability and strength.
Read MoreAfter experiencing, in seven days, Monteverdi’s three extant operas and his Vespers of 1610, I am in awe of BEMF and everyone associated with it.
Read MoreThe Boston Early Music Festival’s production of Monteverdi’s final opera, L’incoronazione di Poppea, is not to be missed.
Read MoreSunday’s performance of Il ritorno d’Ulisse in patria—by a company whose members know each other’s abilities, voices, and personalities well—gave every indication of an extraordinary week ahead.
Read MoreHad they not had interesting and flourishing careers already in place, Elizabeth Schumann and Gloria Chien could give many full-time piano duos a run for their money.
Read MoreJoseph Calleja’s voice is absolutely gorgeous, and he has been compared to the great Golden Age tenors Gigli and Caruso.
Read MoreAfter hearing pianist Daniil Trifonov in this recital performance, I would say no one on the celebrity circuit has a more impressive technique.
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Design Review: A Singular Art Nouveau Shop Front in Harvard Square