Susan Miron
I immediately heard how adept these players were — and how brilliantly they played together.
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From beginning to end, this was a magical concert: beauty, poetry, and yes, unbelievable chops.
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Pianist Beatrice Rana has a particular talent for building a line in ways that are both exactingly dynamic and robustly emotional.
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More proof that, with pianist Igor Levit, Beethoven had found new interpreter, not only worthy, but important.
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Christian Tetzlaff’s recital was a breathtaking experience, full of dancelike grace, intelligence, and charm.
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I feel that I have lost a dear friend whom I met through profoundly heartfelt recordings and, in the form of interviews, inspiring self-portraits.
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Two brilliant Israeli pianists have released exceptional musical offerings.
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Writer András Koerner has dedicated himself, lovingly and brilliantly, to assiduously reconstruct the lives of ordinary Jews in Hungary before the Shoah.
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It was as if the pianists were performing in a small drawing room for a few friends, not at Jordan Hall.
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Storytelling is big business in concert halls these days, and as a yarn spinner Sarah Walker is in a class her own.
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Author Interview: Heather Cox Richardson on “Democracy Awakening”