Steve Elman
In the best of all possible worlds, Duncan Heining’s biography will be the cornerstone of the edifice that time will erect to the memory of George Russell and his gift to music. Whether that will happen or not remains to be seen. In some ways, because of the vagaries of the book business, it’s up…
Read MoreI cite the repertoire only to give you a sense of the breadth of the material Jason Moran and Fred Hersch built on. The glory of the evening was the complete integration of the two pianists’ musical thought.
Read MoreThere’s something special going on among the four musicians in BANN that is very promising—something that makes me want to see the band live. I hope one of our local bookers picks up on them soon, so I don’t have to go to New York City to do so. As You Like by BANN [Seamus…
Read MorePeople who love jazz should read jazz history books periodically, and Kevin Whitehead, jazz critic on NPR’s “Fresh Air” with Terry Gross, has done a great service in giving us a What, Who, Where, and When book with insight and ingenuity. Why Jazz?: A Concise Guide by Kevin Whitehead. Oxford University Press, 136 pp. of…
Read MoreSaxophonist Grace Kelly has to decide what kind of artist she wants to be in her maturity, how long a run she’d like to have, how much she intends to contribute to the jazz tradition—and how she intends to accomplish these things. By Steve Elman. A moment of reckoning arrives in the career of every…
Read MoreI never knew I needed to own a book like this, but I undoubtedly do. If there is anyone you know who loves singing and isn’t a snob about genre, this book would be a great holiday gift. It’s a colossal achievement that is also marvelously idiosyncratic. A Biographical Guide to the Great Jazz and…
Read MoreA modern version of the venerable double bill: first, Drácula, a 1931 Spanish-language film accompanied by guitarist Gary Lucas performing his half-improvised original score. Next came the film Spark of Being, a re-imagining of the plot of Frankenstein, co-directed by filmmaker Bill Morrison and trumpeter-composer Dave Douglas, who led his band Keystone in 13 pieces…
Read MoreLike a guru, Sonny Rollins offered words to live by at the conclusion of the show, words that are his own guidelines as much as they were advice to his fans: “Keep yourself straight and never mind the rest of the world.” By Steve Elman Imagine a great, blank canvas. Now begin to populate the…
Read MoreOf course, that was the reason I was there. One of the best features of the London Jazz Festival is the programmers’ willingness to expose musicians from other world music traditions who engage with jazz in some meaningful way . . . By Steve Elman. Well, I just can’t remember the name of that pop…
Read MoreOne of the primary reasons I’m in London is to hear Martial Solal play in person. He’s had sporadic exposure in the US, always to acclaim. But the acclaim never lasts because he rarely performs on the opposite side of the Atlantic and his American commercial releases are infrequent. By Steve Elman Quick, can you…
Read More
