Scott McLennan
Returning to Gillette Stadium in Foxborough on Thursday night, the Rolling Stones, miraculously, sounded dangerous again.
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This month, the veteran guitarist, singer, and songwriter released his first solo album, 99 Shots, and found himself leaning in a direction he had spent decades avoiding.
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Over the course of Neil Young and Crazy Horse’s two-hour show the tension between magnificent creativity and near collapse were palpable.
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A powerful performer and artist emerges in this ambitious album about being publicly ostracized and maligned — and coming back stronger.
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Sessanta succeeded in making “old” songs and “old” bands sound powerful, vital, and progressive.
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The Disco Biscuits are playing champion-level shows following a period of rebuilding and recalibrating that brought the band out of semi-retirement.
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“Swingin’ Live at the Church in Tulsa” is a snapshot of a vibrant octogenarian artist who is still moving forward.
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The Disco Biscuits improvisations are not driven by a guitar-rock root: they are more apt to dive into a piece of classical music and then ease into a propulsive dance-club beat that eventually swerves into Zappa-style brainy grime.
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For years now, Cowboy Junkies has been bringing its brand of contemplative, atmospheric rock ’n’ roll into a patchwork of independent venues in our region.
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Lespecial proves that not all “jam bands” are simply children of the Dead.
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Arts Remembrance: Tribute to Jazz Producer Alex Lemski