Michael Ullman

Gospel Album Review: Sister Rosetta Tharpe — A “Solid Sender”

April 26, 2024
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I admire Sister Rosetta Tharpe’s wit and daring, her singularly effective guitar playing, and the subtlety of her singing.

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Jazz Album Review: “Sun Ra: At the Showcase Live in Chicago, 1976 – 1977” — Time to Blast Off

April 20, 2024
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“Sun Ra: At the Showcase Live in Chicago, 1976 – 1977” offers a rare opportunity for us 21st century listeners to experience live sets by a distinctive musical spirit.

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Jazz Album Review: Noah Haidu’s “Standards II” — A Trio of Masters

April 12, 2024
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Pianist Noah Haidu’s impeccably performed and recorded “Standards II” is a winner.

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Jazz Album Review: “Johnny Griffin, Live at Ronnie Scott’s 1964” — A Somewhat Flawed Set

March 27, 2024
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This is a blemished set that I, a Johnny Griffin enthusiast, am glad to have.

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Jazz Album Review: Julian Lage’s “Speak to Me” — Mostly Magical

March 18, 2024
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Guitarist Julian Lage wants his music to have a certain paradoxical lightness: to be “reckless and durable” at the same time.

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Jazz Album Review: Tenor Saxophonist George Coleman Is in Command on One for All’s “Big George”

March 15, 2024
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“Big George” is polished, tonally elegant, and beautifully recorded

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Jazz Album Review: The Lynne Arriale Trio’s “Being Human” — An Expected Joy

March 11, 2024
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 The dynamics of this splendid trio album, “a response to the division and turmoil in our world,” are gracefully balanced.

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Jazz Album Review: The Complete Massey Hall Recordings — The Legendary Concert Never Sounded So Good

January 22, 2024
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I heartily recommend this Craft Recording, even if (perhaps especially if) you have owned the LP version from (almost) a half century ago.

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Jazz Album Review: The Baritone Sax of Josh Sinton — Exploring the Possibilities

January 12, 2024
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These pieces are an intellectual challenge to the listener as well as a sensual pleasure. They should send saxophonists back to the practice room.

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Jazz Album Review: Rich Halley’s “Fire Within” — Free, But Still Together

January 6, 2024
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This doesn’t sound like any other quartet I know.

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