Michael Ullman
Listening to the superb “El Arte Del Bolero, Volume Two,” I feel that these are two masters who, while recalling their various ancestries, are talking to me.
Read MoreThese witnesses to history are no longer playing with the fire of their youth, but they exude the confidence, warmth, and sure instincts of veterans.
Read MoreTrumpeter Terell Stafford never seems to be straining; he can be exuberant without sounding brassy.
Read MoreThree re-issued albums reinforce the claim that jazz recordings hit their peak from 1956 to 1964.
Read MoreThe music this band produced was famously challenging: it was also often surprisingly beautiful.
Read MoreLost amid a flood of new music in the early ’70s, the three lps under review here never received their due.
Read MoreThe clarity and focus of Ron Carter’s bass is exemplary here, as is the balance with Richard Galliano’s accordion.
Read MoreKeith Jarrett has said that he thinks there is room for C.P.E. Bach recordings on a modern piano. He proves himself right with these 1994 recordings.
Read MoreThelonious Monk can sound like someone skipping (or even tripping) — and yet the swing is there.
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