Jonathan Blumhofer
The BMOP’s opening concert featured the group succeeding at an important part of its mission: to perform unfairly overlooked American music.
The intellectual and emotional intelligence of the docket stands as a conspicuous example of exemplary programmatic creativity.
Mark-Anthony Turnage’s Frieze is, without a doubt, one of the major symphonic scores of our century.
To speak with Jörg Widmann is to encounter a mind furiously at work and aware of his craft as viewed through the lens of Western history.
The Lost Songs of St. Kilda is a disc that’s simple but profound, beautiful and enduring.
Bieito’s vision – even if it’s not quite as racy as advertised – comes off better than any new canonical production of the BLO’s I’ve seen recently.
No doubt many in Saturday’s well-dressed crowd came for the opportunity to hear that most appropriate of gala pianists, Lang Lang.
The disc offers a rewarding look at the work of four local composers and also showcases the members of Radius Ensemble in a warm, winning light.
For my money, the biggest star on Friday night turned out to be none other than Antonin Dvořák.
Music Commentary/Preview: 2016 Fall Orchestral Season Overview
In the six years I’ve now been reviewing for the Fuse, I can honestly say that the 2016-17 season looks to be one of the liveliest in recent memory.
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