Jonathan Blumhofer

Classical CD Reviews: “Recurrence” and “Thrive on Routine” (Sono Luminus)

June 15, 2017
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Why do such a high number of significant contemporary composers hail from Iceland?

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Rethinking the Repertoire #15 – George Whitefield Chadwick’s “Symphonic Sketches”

June 14, 2017
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If George Whitefield Chadwick had been born in, say, London or Munich, he might be better known today than he is.

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Rethinking the Repertoire #14 – Sir Edward Elgar’s “Sea Pictures”

June 2, 2017
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Sea Pictures offers, frankly, everything one might want in a song cycle: sweeping melodies, evocative scoring, stirring drama and pathos.

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Rethinking the Repertoire #13 – Samuel Barber’s Piano Concerto

May 31, 2017
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Samuel Barber: one of the most individual and distinguished voices to emerge in Europe or America during the 20th century.

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Concert Review: Gershwin’s “Of Thee I Sing” at Robbins Auditorium

May 19, 2017
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In all, Chorus pro Musica’s production was witty and diverting, timely in spots and smart throughout

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Rethinking the Repertoire #11 – Nikolai Rimsky-Korsakov’s “Antar”

May 12, 2017
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Rimsky-Korsakov’s , Antar packs a world of chimeric colors, impellent drama, and memorable tunes into less than thirty minutes.

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Concert Review: Boston Lyric Opera’s “Le Nozze di Figaro”

May 7, 2017
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By opting to set Figaro as a straight comedy, Cucchi’s production glossed over the opera’s subversive edge.

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Concert Review: New England Philharmonic’s “A Fanfare and Fireworks”

April 30, 2017
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There aren’t too many ensembles around that consistently remind us how fresh, rich, diverse, and thought-provoking contemporary can be.

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Concert Review: Tchaikovsky, Takemitsu, and Shostakovich at Symphony Hall

April 28, 2017
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Violinist Anne-Sophie Mutter gave a searing, intense reading of the solo part in Nostalghia (In Memory of Andrei Tarkovskij).

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Concert Review: Boston Philharmonic Youth Orchestra plays Mahler

April 27, 2017
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So, what is one to make of the BPYO’s weekend effort? It was a bit bold, to be sure. But it was also stirring, heartfelt, and timely.

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