Jonathan Blumhofer

Music Preview: Boston Camerata’s “Liberty Tree”

October 27, 2017
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There’s a remarkable breadth and depth, both textural and musical, to this collection of songs and dances that date back to the earliest years of the Republic.

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Concert Review: Martha Argerich and the Orchestra dell’Accademia Nazionale di Santa Cecilia at Symphony Hall

October 24, 2017
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Far more impressive than pianist Martha Argerich’s impeccable mechanical abilities are her interpretive chops. Here, she’s truly in a league of her own.

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Classical CD Review: Brahms Piano Trios and “Living in Light”

October 21, 2017
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Nothing sleepy about the playing in the Yo-Yo Ma and Emanuel Ax disc; New Hampshire’s Heather Gilligan is a composer to watch.

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Classical CD Review: Orchestra dell’Accademia Nazionale di Santa Cecilia plays Saint-Saëns

October 20, 2017
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This is one of the year’s standout orchestral albums and it’s a special treat to catch the ensemble live on these shores so soon after its release.

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Classical CD Reviews: Leif Ove Andsnes’ “Sibelius” and Borusan Quartet’s “Company”

October 19, 2017
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Leif Ove Andsnes’ excellent all-Sibelius album is nothing short of revelatory; Borusan Quartet’s disc is creatively programmed and brilliantly played.

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CD Reviews: Jonas Kaufmann’s “L’Opera” and Michael Spyres’ “Espoir”

October 17, 2017
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Two great tenor discs have recently been released

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Opera Review: Boston Lyric Opera’s “Tosca”

October 16, 2017
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For my taste, too much of the stage action during Friday’s performance was stiff and shopworn.

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Concert Review: Beethoven and Shostakovich at Symphony Hall

October 3, 2017
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One of Andris Nelsons’ great gifts as an interpreter is his ability to shape and develop large-scale musical forms.

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CD Reviews: Ebony Quartet’s “Unheard” and Martyn Brabbins conducts Vaughan Williams

September 29, 2017
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Ebony Quartet serves up a “must-hear” album of music from between the world wars.

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Concert Review: Andris Nelsons and Boston Symphony play Bernstein

September 25, 2017
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On the whole, this BSO Opening Night was a welcome overview Leonard Bernstein’s larger output and of his versatility as a composer.

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