Jonathan Blumhofer

Classical CD Reviews: Matthias Goerne’s “The Wagner Project” and Mahler’s Symphony of a Thousand

December 20, 2017
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Matthias Goerne offers proof that he is the Wagner baritone of the day. And Thierry Fischer’s understanding of Mahler deserves our admiration.

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Year-end CD Round-up, Part 2: Jurowski’s Tchaikovsky Symphonies, Strauss in St. Petersburg, Jasper Quartet’s “Unbound,” Walton Symphonies, and Howard Hersh’s Dancing at the Pink House

December 19, 2017
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Highlights include an excellent Tchaikovsky symphony cycle in modern sound and one of the year’s best chamber-music albums.

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Year-end CD Round-up, Part 1: Rosanne Philippens’ Prokofiev, Dover Quartet’s “Voices of Defiance,” Longleash’s “Passage,” Michael Gielen Edition Vol. 4, and Barbara Hannigan’s “Crazy Girl Crazy”

December 18, 2017
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Reviews of performances that are energetic, immediate, muscular, and simply breathtaking.

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Classical CD Reviews: All-star Schubert and Mozart Arias

December 9, 2017
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A hell-for-leather approach to Schubert has its drawbacks; for all the sheen of Juan Diego Flórez’s singing, he doesn’t always seem at home in the music.

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Classical CD Reviews: Thompson & Barber Symphonies and Francois-Xavier Roth’s Mahler

December 8, 2017
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Francois-Xavier Roth’s Mahler is full of energy; the National Orchestral Institute Philharmonic’s account of Randall Thompson’s Symphony no. 2 is gripping.

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Classical CD Reviews: David Del Tredici’s “Child Alice” and Scott Wollschleger’s “Soft Aberration”

December 5, 2017
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Child Alice is an important addition to the recorded catalogue of major American symphonic music.

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Concert Review: Bermel, Prokofiev, and Strauss at Symphony Hall

December 2, 2017
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The BSO’s performance of the Alpine Symphony had purpose and direction.

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Classical CD Reviews: Leonard Bernstein’s Complete “Piano Music” and Seong-Jin Cho’s “Debussy”

November 29, 2017
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Leann Osterkamp’s playing is rhythmically alive and sympathetic to Leonard Bernstein’s style; Seong-Jin Cho shows that he is an important pianist to watch.

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Concert Review: Boston Philharmonic Youth Orchestra at Symphony Hall

November 28, 2017
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The BPYO is as responsive, confident, technically skilled, and emotionally expressive an orchestra as they come.

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Music Commentary: “Bernstein at 100,” aka Tanglewood 2018

November 17, 2017
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In honor of what would have been Leonard Bernstein’s hundredth birthday, the Tanglewood Festival is pulling out all the stops.

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