Jonathan Blumhofer

Rethinking the Repertoire #18 — Max Bruch’s Symphony no. 3

March 10, 2018
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Max Bruch’s music is smart, strong, crafty, and, often, quite endearing.

Rethinking the Repertoire #17 – Joan Tower’s “Chamber Dance”

March 8, 2018
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From a compositional standpoint, too, Chamber Dance is an example of Tower at her engaging best.

Rethinking the Repertoire #16 – – Franz Liszt’s “Dante” Symphony

March 4, 2018
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The deeply personal nature of the music’s narrative drew some extraordinary music from Liszt’s pen.

Concert Review: John Adams’ “Scheherezade.2” at Symphony Hall

March 2, 2018
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This weekend’s concert fires on all cylinders. Don’t miss it.

Concert Review: Russian Music by the Boston Philharmonic

February 25, 2018
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Benjamin Zander, who’s led some distinctly fine concerts in recent years, drew the best out of his band.

Classical Concert Review: BMOP celebrates Joan Tower

February 13, 2018
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Above all, Joan Tower’s music doesn’t waste your time.

Concert Review: Hub New Music in Worcester

February 6, 2018
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A stirring serving of contemporary classical music from Hub New Music.

Concert Review: Boston Symphony plays Mozart and Shostakovich

February 2, 2018
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Despite Shostakovich’s often-dissonant approach, the Fourteenth has always been highly-regarded if infrequently-played.

Classical Music CDs: Orchestral Music from “The Ring” and Michael Tippett’s Symphonies nos. 1 & 2

February 1, 2018
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The BBC Scottish Symphony Orchestra gives sold readings of two Michael Tippett symphonies.

Classical CD Reviews: Michael Tilson Thomas conducts Schumann and “The Gershwin Moment”

February 1, 2018
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The San Francisco Symphony delivers performances of chamber-like sensitivity and remarkable transparency.

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