Jonathan Blumhofer

Classical CD Reviews: Offenbach’s “La Périchole,” Aaron Jay Kernis’ Orchestral Works, and Baiba Skride plays Bartók

October 23, 2019
Posted in , , ,

Marc Minkowski’s recording of Jacques Offenbach’s La Périchole pays the composer a handsome tribute in his birthday year; violinist Baiba Skride’s new all-Bartók disc is one of the year’s best.

Read More

Classical CD Reviews: Seattle Symphony plays Strauss & Langgaard, Offenbach’s “Folies symphoniques,” and Salonen conducts Beethoven & Strauss

October 22, 2019
Posted in , ,

The Seattle Symphony does right by Langgaard but not Strauss; Esa-Pekka Salonen’s Beethoven is micromanaged to death; Brandenburgisches Staatsorchester offers an ideal off-the-beaten-path Offenbach disc.

Read More

Classical Music CD Reviews: Strauss/Korngold’s “Eine Nacht in Venedig,” Berlioz’s Requiem, and Ethel Smyth’s Mass in D

October 21, 2019
Posted in , ,

Among the reviews: a terrific, important release that celebrates one of the most interesting – and hitherto overlooked – composers of the late-19th- and early-20th centuries in style. Don’t miss it.

Read More

Concert Review: Boston Philharmonic plays Mozart, Brahms, and Bartók

October 20, 2019
Posted in , , ,

There was nothing sleepy or commonplace about the ensemble’s performance of favorites by Mozart, Brahms, and Bartók.

Read More

Classical CD Reviews: Christian Tetzlaff plays Beethoven & Sibelius, Rachel Barton Pine takes on Dvorak & Khachaturian, and Wagner’s “Siegfried “

October 4, 2019
Posted in , , ,

Christian Tetzlaff’s brilliant account of Beethoven’s Violin Concerto makes for a great album; Rachel Barton Pine’s versions of Dvorák and Khachaturian violin concertos are songful; orchestrally, Mark Elder and the Hallé Orchestra’s Sigfried is unfailingly colorful and fresh.

Read More

Classical CD Reviews: “To Paradise For Onions,” “Transatlantic,” and “Die Zauberflöte”

October 4, 2019
Posted in , , ,

To Paradise for Onions is a lovely album; Cincinnati Symphony Orchestra ‘s Transatlantic is spirited; Yannick Nézet-Séguin’s Die Zauberflöte is lost in the crowd.

Read More

Concert Review: Boston Symphony Orchestra’s Opening Night

September 20, 2019
Posted in , ,

That rarest of Opening Nights: a program that was mostly fun and entertaining, but also substantive and artistically satisfying.

Read More

Classical CD Reviews: The Tchaikovsky Project, Schumann Symphonies nos. 2 & 4, and Holst Orchestral Works

September 14, 2019
Posted in , , ,

Semyon Bychkov and the Czech Philharmonic do justice to a lot of Tchaikovsky’s orchestral music, while John Eliot Gardiner and the London Symphony play Robert Schumann’s famously-dense orchestrations with clarity. But Michael Stern’s account of The Planets completely lacks mystery.

Read More

Classical CD Reviews: Julia Wolfe’s “Fire in my mouth,” Donnacha Dennehy’s “The Hunger,” Derek Bermel’s “Migrations”

September 12, 2019
Posted in , ,

Julia Wolfe’s Fire in my mouth is one of 2019’s most memorable recordings; Donnacha Dennehy’s The Hunger, a meditation on the Irish potato famine of the mid-19th-century, leaves an indelible impression; Derek Bermel’s Migrations is a grand celebration of one of America’s great living composer at the top of his game.

Read More

Arts Commentary: 2019-20 Classical Music Preview

September 1, 2019
Posted in , , ,

I’ve compiled a list of twelve concerts (or concert series) that I think will stand among the future season’s highlights.

Read More

Recent Posts

Popular Posts

Categories

Archives