Jonathan Blumhofer
Cellist Alessio Pianelli’s playing is songful and lovely. The Avos Chamber Orchestra — essentially a student orchestra — imbues their performances with a confidence and surety that is inspiring.
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The most striking thing about violinist Augustin Hadelich’s approach to these Bach pieces is his emphasis on the music’s dancing line.
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A singer with a gleaming instrument that’s at once mighty and agile, Lise Davidsen’s drawn comparisons with some of the legendary voices of the past.
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A welcome entry in complete sets of Camille Saint-Saëns’ five symphonies — a composer of his caliber deserves a wealth of viewpoints.
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An American Mosaic is a fascinating study of how a contemporary composer can fuse the gestures and syntax of a tradition rooted in Bach with contemporary sensibilities.
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These are tough, feisty, devastating pieces — easily among the 20th century’s finest symphonies — and they receive ferocious readings from Antonio Pappano and the LSO.
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Any number of threads that tie these three pieces (and composers) together. But in this instance, such busywork is superfluous: the musical results – blazingly played and flawlessly recorded – speak for themselves.
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This disc stands comfortably in the company of Beethoven and Bartók performances by the Emerson, Tákacs, Alban Berg, and Juilliard Quartets.
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Bottom line: these are excellent performances and a valuable documentation of Elliott Carter’s early work.
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A welcome addition to Scottish percussionist Colin Currie’s endlessly fascinating discography – as well as to Austrian maverick HK Gruber’s.
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