Helen Epstein

Opera Review: BLO’s “The Barber of Seville” — An Exhilarating Triumph

October 16, 2018
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Every performance of opera should leave an audience so exhilarated.

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Book Review: “A Life of My Own” — Reserved to a Fault

October 16, 2018
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Claire Tomalin narrates her story with a prototypically English stiff upper lip, and a reticence about the personal.

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Theater Review: “The Glass Menagerie” — Doing Justice to an American Classic

October 9, 2018
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This is a first-rate production of a true American classic.

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Book Review: “Another Life” — Curing Writer’s Block

September 17, 2018
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This slender memoir reads like a rambling conversation with a literary stranger you meet on a train.

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Theater Review: “Mothers and Sons” — An Elegant, Affecting Production

August 21, 2018
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Mothers and Sons is one of veteran playwright Terrence NcNally’s finest works.

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Theater Review: “West Side Story” — Still Brilliant After All These Years

August 12, 2018
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The Barrington Stage Company’s moving and fiercely energetic production brings West Side Story back to the stage with a bang.

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Book Review: “Educated” — An Exemplary Memoir

August 8, 2018
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Educated is a testament to the power of sensitive friends and mentors — and to Tara Westover’s own resilience.

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Book Review: “On The Couch” — A Beautiful Visual Tour

July 30, 2018
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On the Couch is an extraordinary coffee table book for anyone interested in “recumbency” and how the couch became the icon of psychoanalysis.

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Theater Review: “Creditors” — A Memorable Staging of a Classic

July 28, 2018
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August Strindberg’s Creditors turns out to be a play that speaks chillingly to our time.

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Theater Review: “The Chinese Lady” — History as a Clever Two-hander

July 27, 2018
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Atung and Moy have a lot to say about American history and culture — acutely informed by the playwright’s 21st century sensibility and identity politics.

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