Arts Fuse Editor

Book Review: “Last Resort” — A Romp About Fiction, Riches, and Friendship

February 7, 2022
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Make what you will of this often page-turning confection, which if not particularly literary, may be a bunch of fun.

Coming Attractions: February 6 through 22 — What Will Light Your Fire

February 6, 2022
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As the age of Covid-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.

Film Review: “Ronnie’s” — The Story of a World-Famous London Jazz Club

February 6, 2022
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Mel Brooks called Ronnie Scott’s Jazz Club “a little nest of happiness. All our recent wounds are healed there.”

Theater Review: “The Bluest Eye” — Pieces of a Classic

February 5, 2022
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Dramatist Lydia R. Diamond makes an honorable effort to adapt Toni Morrison’s novel to the stage, but with mixed results.

Poetry Review: Carolynn Kingyens’s “Coupling” — Art as a Means of Survival

February 5, 2022
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In this collection, Carolynn Kingyens discloses what lies behind the veneer of our relationships.

Television Review: “Pam & Tommy” — That Icky Feeling

February 4, 2022
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What is the most depressing thing about Pam & Tommy? The series provides the most sympathetic portrait of Pam Anderson that is out there.

Film Review: “Music. Money. Madness. Jimi Hendrix Live in Maui” — Rubber-Room Wackos

February 4, 2022
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If this film accomplishes anything, it’s to remind us of how much we lost when Jimi Hendrix died.

Film Review: “Sundown” — Meltdown in Mexico

February 4, 2022
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A relaxing family vacation story morphs into a quietly riveting character study.

Music Review: “Someone​/​Anyone? A 50th Anniversary Tribute to Todd Rundgren’s Something/​Anything?”

February 3, 2022
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Someone/Anyone? is packed with lots of great music and makes a strong complement to the album it compliments, Something/Anything?

Film Review: “2nd Chance” – A Memorable American Con Artist

February 3, 2022
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With Richard Davis, director Ramin Bahrani found an old-fashioned fraud, a paunchy American grifter worthy of a story by Mark Twain.

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