Arts Fuse Editor
Robert S. Neuman used modernism’s interest in abstraction and material accident to shape lively compositions that riffed on urbanization, biblical themes, war, the space race, indigenous rights, mental illness, and other topics.
This American remake does not have the power, the confidence of tone, or the aesthetic artistry to measure up to the horrifying original.
This American remake does not have the power, the confidence of tone, or the aesthetic artistry to measure up to the horrifying original.
The Whale is a bracing two hour battle against destiny.
This coffee table book scan of women’s history is visually striking and consistently informative.
There are cringe-worthy moments as well as scenes of mesmerizing beauty in Disney’s live-action Pinocchio. But I’ll go against the critical grain and argue, for several small reasons, and for one big one, that it was necessary to make it.
As a satire on the power of male-dominated corporations to manufacture consent and conformity, Don’t Worry Darling is devilishly amusing. Though credibility is not its strong suit.
Longtime GBH host Eric Jackson passed away earlier this morning.
At this year’s Toronto International Film Festival, there were celebrities, studio premieres and plenty of films with modest budgets that vied for attention.
Poet Helena Minton deserves our attention; her verse is grounded in a close observation of nature and a love of language.
A new documentary artfully and excitingly suggests what made David Bowie tick.
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