Arts Fuse Editor
Gil Rose’s team, headed by an incandescent Ellie Dehn as Catherine of Aragon, should help bring this major work back to the world’s opera-house stages.
“As the old saying goes,” writes author and former prosecutor Valena Beety, “when you’re accustomed to privilege, equality feels like oppression.”
Visual Arts Review: A Mom’s Gaze — Anna Grevenitis and the Arnold Newman Prize at the Griffin Museum
Each project in the exhibition presents unique perspectives on seeing and being seen, fitting for the Newman Prize’s goal of providing a platform for innovative photographic portraiture.
It is pretty clear that this Canadian band was not in the right place at the right time, despite the ferocious energy and speed of its music and sublime performances.
This little-seen film, disturbing, uncompromising, often darkly funny, should be recognized as one of the most original American independent films of this century.
In James Gray’s new film, the tragedy and pain behind Jewish assimilation lurks just out of frame.
Based on the YA series by Soman Chainani, The School for Good and Evil offers little that is new about the adventures of discontented adolescents.
There is a full lineup of performances scheduled for the next few months in Groton Hill Music Center’s Meadow Hall as the organization’s donors and subscribers prepare for life in the world-class facility.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in. Frankenstein (1931) Somerville Theatre at 2 p.m. on October 23 This iconic horror film from 1931 screens today with a live…
Two stirring dramas hit Broadway, one weightier than the next
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