Arts Fuse Editor
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
What Kyle Abraham has done is to conjure up a wonderfully confusing vision into the myriad possibilities raised by the cycle of death and life again.
The artistic and design team at the Central Square Theater, in partnership with CHUANG Stage, have come up with an effective, thought-provoking 90-minute journey into a depressing aspect of the American story that was (and still is) rooted in xenophobia.
The second season of The White Lotus is decidedly darker than the first, and the air of decadence and luxury is overshadowed by a disturbing aura of danger, even evil.
Now, more than a year after Kabul fell, Afghanistan, where a conflict media-branded as “America’s longest war” waged for twenty years, barely makes the news.
“What I love about H&H is they are hugely passionate. You feel their love and joy for this music. And they have such a willingness to want to go deeper, to rehearse.”
Deeply indebted to her relationship to persons and places, José-Flore Tappy uses poetry as a way to revisit them, honoring the absent through poems co-created by memory and imagination.
Many Thanksgiving myths are dispelled, but the effort to reverse decades of misinformation leads to oversimplification at times.
Much of the charm of The Sex Lives of College Girls comes from how messy the girls are.
Arts Biz Commentary Update: Ticketmaster and Live Nation Entertainment Got Some Explainin’ to Do
How do you spell a monopoly that is killing the live music industry? Live Nation Entertainment, Inc.
Read More about Arts Biz Commentary Update: Ticketmaster and Live Nation Entertainment Got Some Explainin’ to Do